Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 11
... expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ignorant audacity ...
... expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ignorant audacity ...
Стр. 22
... expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely petty and cut into segments . For ...
... expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely petty and cut into segments . For ...
Стр. 533
... expression " of the artist . Today , in nonliterary fields , we are stressing neither production nor consumption , but the integration of the two . And in the aesthetic field , this emphasis might be paralleled by a tendency to consider ...
... expression " of the artist . Today , in nonliterary fields , we are stressing neither production nor consumption , but the integration of the two . And in the aesthetic field , this emphasis might be paralleled by a tendency to consider ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing