Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 11
... expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ignorant audacity ...
... expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ignorant audacity ...
Стр. 22
... expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely petty and cut into segments . For ...
... expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely petty and cut into segments . For ...
Стр. 269
... expression praise , or expostulation with its de- tractors , to be necessary ; and it has not been out long enough for any attempt at a complete measurement of its place and significance to be possible . All that one can usefully do at ...
... expression praise , or expostulation with its de- tractors , to be necessary ; and it has not been out long enough for any attempt at a complete measurement of its place and significance to be possible . All that one can usefully do at ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing