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Стр. 11
Moreover , the expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ...
Moreover , the expression of the sublime is more exposed to danger when it goes its own way without the guidance of knowledge - when it is suffered to be unstable and unballasted- when it is left at the mercy of mere momentum and ...
Стр. 22
XLII Further , excessive concision of expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely ...
XLII Further , excessive concision of expression tends to lower the sublime , since grandeur is marred when the thought is brought into too narrow a compass . Let this be understood not of proper compression , but of what is absolutely ...
Стр. 533
In such an approach , the poet's " self - expression " or the audience's " appreciation " will necessarily figure , but the main emphasis will be elsewhere . This reader - writer relationship is emphasized in the following article ...
In such an approach , the poet's " self - expression " or the audience's " appreciation " will necessarily figure , but the main emphasis will be elsewhere . This reader - writer relationship is emphasized in the following article ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing