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Стр. 12
4 It was worthy of an Amphicrates and not of a Xenophon to call the pupils of our eyes " modest maidens . " Good heavens , how strange it is that 4 III , 5 . the pupils of the whole company should be be- lieved to be modest ...
4 It was worthy of an Amphicrates and not of a Xenophon to call the pupils of our eyes " modest maidens . " Good heavens , how strange it is that 4 III , 5 . the pupils of the whole company should be be- lieved to be modest ...
Стр. 16
For such are the details which Homer gives , with an eye to characterisation , of life in the home of Odysseus ; they form as ... as though they were all alien from herself and dispersed , soul , body , ears , tongue , eyes , colour ?
For such are the details which Homer gives , with an eye to characterisation , of life in the home of Odysseus ; they form as ... as though they were all alien from herself and dispersed , soul , body , ears , tongue , eyes , colour ?
Стр. 190
Afternoon gilds all the silent wires Into a burning music of the eyes . On mirroring paths between those fine - strung fires The shore , laden with roses , horses , spires , Wanders in water , imaged above ribbed sand .
Afternoon gilds all the silent wires Into a burning music of the eyes . On mirroring paths between those fine - strung fires The shore , laden with roses , horses , spires , Wanders in water , imaged above ribbed sand .
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing