Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 524
... feeling of indulgence is possible towards the results of one's own mental labours . But I hasten to add that such self - criticism does not render obligatory any special tolerance of divergent opinions . One may inexorably re- ject ...
... feeling of indulgence is possible towards the results of one's own mental labours . But I hasten to add that such self - criticism does not render obligatory any special tolerance of divergent opinions . One may inexorably re- ject ...
Стр. 527
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
... feeling . They are , as a rule , interlinked and combined very closely , and the exact dissection of the one from the other is sometimes an impossible and always an extremely delicate and perilous operation . But the effort to separate ...
Стр. 532
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both meta- phorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
... feeling you conventionally have towards pigs , or because you propose , if possible , to excite those feelings . Both meta- phorical shifts may be combined simultaneously , and they often are . But in studying our methods of describing ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing