Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 381
... follow in the future . For Lessing , as we have seen , esthetic form is not an external arrangement provided by a set of traditional rules : it is the relation between the sensuous nature of the art medium and the conditions of human ...
... follow in the future . For Lessing , as we have seen , esthetic form is not an external arrangement provided by a set of traditional rules : it is the relation between the sensuous nature of the art medium and the conditions of human ...
Стр. 489
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether " The Study of Poetry " was first ...
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether " The Study of Poetry " was first ...
Стр. 537
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson called character classical comedy conscious criticism divine drama Echoing Green effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing