Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 203
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rule , but has nothing ...
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by necessity , or as a rule , but has nothing ...
Стр. 489
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether " The Study of Poetry " was first ...
... follow . We are here invited to trace the stream of English poetry . But whether we set ourselves , as here , to follow only one of the several streams that make the mighty river of poetry , or whether " The Study of Poetry " was first ...
Стр. 537
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
... follow his advice . He told them to choose , then stated the issue in such a way that there was no choice . Those that love Rome , he said , must agree that Caesar should have been killed . Those that do not love Rome , should object ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing