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Стр. 120
The strongest force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can come of it . In this way the creative force can drain the human im- pulses to such a degree that the ...
The strongest force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can come of it . In this way the creative force can drain the human im- pulses to such a degree that the ...
Стр. 136
It is often objected against Marxism that it denies the individual , who is merely the prey of abstract economic forces which drive him to his doom with the inevitability of a Greek fate . We will leave aside the question of whether or ...
It is often objected against Marxism that it denies the individual , who is merely the prey of abstract economic forces which drive him to his doom with the inevitability of a Greek fate . We will leave aside the question of whether or ...
Стр. 146
47 A technical term of the physics of the period , signifying a process by which a quality or force in a substance is increased or intensified by the action of an opposing quality or force . Milton expresses the same idea in the hymn of ...
47 A technical term of the physics of the period , signifying a process by which a quality or force in a substance is increased or intensified by the action of an opposing quality or force . Milton expresses the same idea in the hymn of ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing