Criticism: The Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 45
... give of the novel . But history also is allowed to represent life ; it is not , any more than painting , expected to apologize . The sub- ject - matter of fiction is stored up likewise in documents and records , and if it will not give ...
... give of the novel . But history also is allowed to represent life ; it is not , any more than painting , expected to apologize . The sub- ject - matter of fiction is stored up likewise in documents and records , and if it will not give ...
Стр. 164
... give it an appearance of symmetry . Characteristic phrases are render inoperative , militate against , make contact with , be subjected to , give rise to , give grounds for , have the effect of , play a leading part ( role ) in , make ...
... give it an appearance of symmetry . Characteristic phrases are render inoperative , militate against , make contact with , be subjected to , give rise to , give grounds for , have the effect of , play a leading part ( role ) in , make ...
Стр. 364
... give up the world " ; " because our love is not merely lust , we can give up the other lusts , the lust for wealth and power " ; " because , " and this is said with a little vein of irony as by one who knows the world too well ...
... give up the world " ; " because our love is not merely lust , we can give up the other lusts , the lust for wealth and power " ; " because , " and this is said with a little vein of irony as by one who knows the world too well ...
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism divine drama effect elements emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing