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Стр. 272
B : I have just given a list of dramatists . I admit that their intentions vary . Pinero , for instance , was concerned with setting , or , as is said in the barbarous jargon of our day , " pos- ing " the problems of his generation .
B : I have just given a list of dramatists . I admit that their intentions vary . Pinero , for instance , was concerned with setting , or , as is said in the barbarous jargon of our day , " pos- ing " the problems of his generation .
Стр. 354
They have real- ized that a psychologically accurate account of what a man is at any given moment can be given neither in terms of a static description of his character nor in terms of a group of chrono- logically arranged reactions to ...
They have real- ized that a psychologically accurate account of what a man is at any given moment can be given neither in terms of a static description of his character nor in terms of a group of chrono- logically arranged reactions to ...
Стр. 495
... derived immediately from the Italians , the basis and sug- gestion was probably given in France . Chaucer ( I have already named him ) fascinated his con- temporaries , but so too did Christian of Troyes and Wolfram of Eschenbach .
... derived immediately from the Italians , the basis and sug- gestion was probably given in France . Chaucer ( I have already named him ) fascinated his con- temporaries , but so too did Christian of Troyes and Wolfram of Eschenbach .
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing