Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 36
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and reacting upon each other ...
... knowledge is connected , he feels that his knowledge is pleasure ; and where he has no pleasure he has no knowledge . What then does the Poet ? He considers man and the objects that surround him as acting and reacting upon each other ...
Стр. 310
... knowledge itself is a fall from the para- dise of undifferentiated sensation , so equally every formula of knowledge must fall the mo- ment too much weight is laid upon it - the moment it becomes omnivorous and pretends to be omnipotent ...
... knowledge itself is a fall from the para- dise of undifferentiated sensation , so equally every formula of knowledge must fall the mo- ment too much weight is laid upon it - the moment it becomes omnivorous and pretends to be omnipotent ...
Стр. 385
... knowledge , at any one moment of time , gives him a knowledge of Dublin's past and present as a whole ; and it is only by such knowledge that the reader , like the characters , can place all the references in their proper context . This ...
... knowledge , at any one moment of time , gives him a knowledge of Dublin's past and present as a whole ; and it is only by such knowledge that the reader , like the characters , can place all the references in their proper context . This ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing