Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 42
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
Стр. 358
... language of poetry is the language of paradox . Paradox is the lan- guage of sophistry , hard , bright , witty ; it is hardly the language of the soul . We are willing to allow that paradox is a permissible weapon which a Chesterton may ...
... language of poetry is the language of paradox . Paradox is the lan- guage of sophistry , hard , bright , witty ; it is hardly the language of the soul . We are willing to allow that paradox is a permissible weapon which a Chesterton may ...
Стр. 457
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
Не показаны другие разделы: 25
Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson called character classical comedy conscious criticism divine drama Echoing Green effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing