Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 42
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
... language was thus insensibly produced , differing materially from the real language of men in any situation . The Reader or Hearer of this distorted language found himself in a perturbed and unusual state of mind : when affected by the ...
Стр. 358
... language of poetry is the language of paradox . Paradox is the lan- guage of sophistry , hard , bright , witty ; it is hardly the language of the soul . We are willing to allow that paradox is a permissible weapon which a Chesterton may ...
... language of poetry is the language of paradox . Paradox is the lan- guage of sophistry , hard , bright , witty ; it is hardly the language of the soul . We are willing to allow that paradox is a permissible weapon which a Chesterton may ...
Стр. 457
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
... language , and especially metrical language , which are created by that imperial faculty , whose throne is curtained within the invisible nature of man . And this springs from the nature itself of language , which is a more direct ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
Не показаны другие разделы: 26
Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing