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Стр. 36
... because not formal , but indirect ; it is a task light and easy to him who looks at the world in the spirit of love ... he considers him as look- ing upon this complex scene of ideas and sensa- tions , and finding everywhere objects ...
... because not formal , but indirect ; it is a task light and easy to him who looks at the world in the spirit of love ... he considers him as look- ing upon this complex scene of ideas and sensa- tions , and finding everywhere objects ...
Стр. 280
The beauty who does not look surprised , who accepts her position as her due - she reminds us too much of a prima donna . But let us get back to the plot , and we will do so via George Meredith . Meredith is not the great name he was ...
The beauty who does not look surprised , who accepts her position as her due - she reminds us too much of a prima donna . But let us get back to the plot , and we will do so via George Meredith . Meredith is not the great name he was ...
Стр. 345
Streight may mean " packed together , " in the microcosm , or " at once " ; the beasts see their reflection ( perhaps the root idea of the metaphor ) as soon as they look for it ; the calm of Nature gives the poet an immediate self ...
Streight may mean " packed together , " in the microcosm , or " at once " ; the beasts see their reflection ( perhaps the root idea of the metaphor ) as soon as they look for it ; the calm of Nature gives the poet an immediate self ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing