Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 459
... manner in which it is worn . A majestic form and graceful motions will ex- press themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in its ...
... manner in which it is worn . A majestic form and graceful motions will ex- press themselves through the most barbarous and tasteless costume . Few poets of the highest class have chosen to exhibit the beauty of their conceptions in its ...
Стр. 494
... manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the sub- stance and matter of poetry , guiding ourselves by Aristotle's profound observation that the su- periority of ...
... manner of that poetry , and of all other poetry which is akin to it in quality . Only one thing we may add as to the sub- stance and matter of poetry , guiding ourselves by Aristotle's profound observation that the su- periority of ...
Стр. 500
... manner which goes with that high seriousness is wanting to his work . At moments he touches it in a profound and pas- sionate melancholy , as in those four immortal lines taken by Byron as a motto for The Bride of Abydos , but which ...
... manner which goes with that high seriousness is wanting to his work . At moments he touches it in a profound and pas- sionate melancholy , as in those four immortal lines taken by Byron as a motto for The Bride of Abydos , but which ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing