Criticism: The Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 9
... mind , so the lyric poets are not in their right mind when they are composing their beautiful strains : but when falling under the power of music and metre they are inspired and possessed ; like Bacchic maidens who draw milk and honey ...
... mind , so the lyric poets are not in their right mind when they are composing their beautiful strains : but when falling under the power of music and metre they are inspired and possessed ; like Bacchic maidens who draw milk and honey ...
Стр. 180
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetry- making organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
... mind . Indeed , the mind , as Freud sees it , is in the greater part of its tendency , exactly a poetry- making organ . This puts the case too strongly no doubt , for it seems to make the working of the unconscious mind equivalent to ...
Стр. 345
... mind is less now , but will return , and it is now that one can see the rock - pools . On the Freudian view of an Ocean , withdraws would make this repose in Nature a return to the womb ; anyway it may mean either " withdraws into self ...
... mind is less now , but will return , and it is now that one can see the rock - pools . On the Freudian view of an Ocean , withdraws would make this repose in Nature a return to the womb ; anyway it may mean either " withdraws into self ...
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism divine drama effect elements emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing