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Стр. 28
Poets are Painters : I would fain see another Painter draw so true , perfect , and natural a Love to the Life ... but also the possibility of nature : they would have impenetrable Armors , Inchanted Castles , invulnerable bodies ...
Poets are Painters : I would fain see another Painter draw so true , perfect , and natural a Love to the Life ... but also the possibility of nature : they would have impenetrable Armors , Inchanted Castles , invulnerable bodies ...
Стр. 346
The complex of ideas he concentrates into this passage , in fact , had been worked out already , and in a context that shows how firmly these ideas about Nature were con- nected with direct pastoral . The poem indeed comes immediately ...
The complex of ideas he concentrates into this passage , in fact , had been worked out already , and in a context that shows how firmly these ideas about Nature were con- nected with direct pastoral . The poem indeed comes immediately ...
Стр. 432
First follow Nature , and your judgment frame By her just standard , which is still the same : Unerring Nature ! still divinely bright , One clear , unchang'd , and universal light , Life , force , and beauty , must to all impart ...
First follow Nature , and your judgment frame By her just standard , which is still the same : Unerring Nature ! still divinely bright , One clear , unchang'd , and universal light , Life , force , and beauty , must to all impart ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing