Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 251
... object being proposed . According to the difference of the object will be the difference of the com- bination . It is possible , that the object may be merely to facilitate the recollection of any given facts or observations by ...
... object being proposed . According to the difference of the object will be the difference of the com- bination . It is possible , that the object may be merely to facilitate the recollection of any given facts or observations by ...
Стр. 394
... object or a thing made by a carpenter.2 " When we say what it is , " observes Aristotle , " we do not say ' white ' or ' hot ' or ' three cubits long , ' but ' a man ' or ' a god . ' " And this view is also a habit scarcely avoidable in ...
... object or a thing made by a carpenter.2 " When we say what it is , " observes Aristotle , " we do not say ' white ' or ' hot ' or ' three cubits long , ' but ' a man ' or ' a god . ' " And this view is also a habit scarcely avoidable in ...
Стр. 441
... object , are all right : Because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that conformity did not really ...
... object , are all right : Because no sentiment represents what is really in the object . It only marks a certain conformity or relation between the object and the organs or faculties of the mind ; and if that conformity did not really ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing