Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 29
... persons and their actions , or between the manners of the Poet and the Poem . Of the first kinde is the uncomliness of representing in great persons the inhumane vice of Cruelty or the sordid vice of Lust and Drunk- enness . To such ...
... persons and their actions , or between the manners of the Poet and the Poem . Of the first kinde is the uncomliness of representing in great persons the inhumane vice of Cruelty or the sordid vice of Lust and Drunk- enness . To such ...
Стр. 205
... person has done a thing or not . But the recognition which is most intimately connected with the plot and action is , as we have said , the recognition of persons . 4. This recognition , combined with Reversal , will pro- duce either ...
... person has done a thing or not . But the recognition which is most intimately connected with the plot and action is , as we have said , the recognition of persons . 4. This recognition , combined with Reversal , will pro- duce either ...
Стр. 207
... persons , in the manner of the older poets . It is thus too that Euripides makes Medea slay her children . Or , again , the deed of horror may be done , but done in igno- rance , and the tie of kinship or friendship be discovered ...
... persons , in the manner of the older poets . It is thus too that Euripides makes Medea slay her children . Or , again , the deed of horror may be done , but done in igno- rance , and the tie of kinship or friendship be discovered ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing