Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 39
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
... principle which must be well known to those who have made any of the Arts the object of accurate reflection ; namely , the pleasure which the mind derives from the perception of similitude in dissimilitude . This principle is the great ...
Стр. 455
... principle of its own integrity . The one is the tò лov , or the principle of synthesis , and has for its objects those forms which are common to universal nature and exist- ence itself ; the other is the tò λoyev , 2 or principle of ...
... principle of its own integrity . The one is the tò лov , or the principle of synthesis , and has for its objects those forms which are common to universal nature and exist- ence itself ; the other is the tò λoyev , 2 or principle of ...
Стр. 535
... principle is dispatched by daggers , the principle lives on in me , who continue the function of Caesar in the play . In the next act , the fourth , the persona itself will reappear momentarily as a ghost in Brutus ' tent - but on the ...
... principle is dispatched by daggers , the principle lives on in me , who continue the function of Caesar in the play . In the next act , the fourth , the persona itself will reappear momentarily as a ghost in Brutus ' tent - but on the ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing