Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 233
... relation of what was done many years before the play . I could multiply other instances , but these are sufficient to prove that there is no error in choosing a subject which requires this sort of narrations ; in the ill man- aging of ...
... relation of what was done many years before the play . I could multiply other instances , but these are sufficient to prove that there is no error in choosing a subject which requires this sort of narrations ; in the ill man- aging of ...
Стр. 455
... relation to a corresponding antitype in the pleasurable impressions which awakened it ; it will be the reflected image of that impression ; and as the lyre trembles and sounds after the wind has died away , so the child seeks , by ...
... relation to a corresponding antitype in the pleasurable impressions which awakened it ; it will be the reflected image of that impression ; and as the lyre trembles and sounds after the wind has died away , so the child seeks , by ...
Стр. 457
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
... relation both between each other and towards that which they represent , and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts . Hence the language ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing