Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 348
... sense . " The use of sense for sensibleness became stronger later in the century , but it is already clearly an element in the word - for example in saying " there is no sense " in a statement when it has meaning but is not sensible ...
... sense . " The use of sense for sensibleness became stronger later in the century , but it is already clearly an element in the word - for example in saying " there is no sense " in a statement when it has meaning but is not sensible ...
Стр. 510
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
... sense of the words can be almost entirely missed or neglected without loss . Never perhaps entirely without effort , however ; though sometimes with advantage . But the plain fact that the relative importance of grasping the sense of ...
Стр. 527
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
... sense and feeling and to the ways in which the feeling may be , in various degrees , dependent on the sense . And let us be careful to remember that we are concerned , firstly , with the feeling actually aroused by the word in the poem ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson called character classical comedy conscious criticism divine drama Echoing Green effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime Surrealists T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing