Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 3
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be - an imita- tion of things as they are , or as they appear- of appearance or of reality ? Of ...
... things . Yes , he said , the difference is only apparent . Now let me ask you another question : Which is the art of painting designed to be - an imita- tion of things as they are , or as they appear- of appearance or of reality ? Of ...
Стр. 193
... things far outside their own self - centred- ness ( the weakness of memory is its self - centred ness : hence the narcissistic nature of most poetry ) . Here I can detect my own greatest weakness . My memory is defective and self ...
... things far outside their own self - centred- ness ( the weakness of memory is its self - centred ness : hence the narcissistic nature of most poetry ) . Here I can detect my own greatest weakness . My memory is defective and self ...
Стр. 262
... thing , if we can reach it , that we shall not be inclined to laugh at . . . . Those who have so pierced and seen the melancholy deeps of things , are filled with intense passion and gentleness of sympathy . ( Part III , Chap . III , §9 ...
... thing , if we can reach it , that we shall not be inclined to laugh at . . . . Those who have so pierced and seen the melancholy deeps of things , are filled with intense passion and gentleness of sympathy . ( Part III , Chap . III , §9 ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing