Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 104
... thought , " and I still think that no thought can become poetic unless it is apprehended in its mental configuration - we lack the equivalent of the more exact German word Gestalt . But what is still necessary is some explanation of why ...
... thought , " and I still think that no thought can become poetic unless it is apprehended in its mental configuration - we lack the equivalent of the more exact German word Gestalt . But what is still necessary is some explanation of why ...
Стр. 191
... thought . He said : " Everything there is man - made . " At this moment the line flashed into my head A language of flesh and roses . The sequence of my thought was as follows : the industrial landscape which seems by now a rou- tine ...
... thought . He said : " Everything there is man - made . " At this moment the line flashed into my head A language of flesh and roses . The sequence of my thought was as follows : the industrial landscape which seems by now a rou- tine ...
Стр. 202
... thought ; for it is by these that we qualify actions themselves , and these thought and character - are the two nat- ural causes from which actions spring , and on actions again all success or failure depends . 6. Hence , the Plot is ...
... thought ; for it is by these that we qualify actions themselves , and these thought and character - are the two nat- ural causes from which actions spring , and on actions again all success or failure depends . 6. Hence , the Plot is ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing