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Стр. 65
NOTE Why did Hegel , in his lectures on Aesthetics , so treat of tragedy as to suggest the idea that the kind of tragedy which he personally pre- ferred ( let us for the sake of brevity call it " ancient " ) is also the most adequate ...
NOTE Why did Hegel , in his lectures on Aesthetics , so treat of tragedy as to suggest the idea that the kind of tragedy which he personally pre- ferred ( let us for the sake of brevity call it " ancient " ) is also the most adequate ...
Стр. 78
Tragedy is not , then , as Aristotle said , the imitation of noble actions , for , indeed , no one knows what a noble action is or whether or not such a thing as nobility exists in nature apart from the mind of man .
Tragedy is not , then , as Aristotle said , the imitation of noble actions , for , indeed , no one knows what a noble action is or whether or not such a thing as nobility exists in nature apart from the mind of man .
Стр. 202
This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5. Of their constituent parts some are com- mon to both , some peculiar to Tragedy .
This , then , is a second point of difference ; though at first the same freedom was admitted in Tragedy as in Epic poetry . 5. Of their constituent parts some are com- mon to both , some peculiar to Tragedy .
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing
Библиографические данные
| Название | Criticism; the Foundations of Modern Literary Judgment |
| Редактор | Mark Schorer |
| Издание: | исправленное |
| Издатель | Harcourt, Brace, 1958 |
| Количество страниц | Всего страниц: 553 |
| Экспорт цитаты | BiBTeX EndNote RefMan |