Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 56
... tragic , but only the suffering that comes of a special kind of action . Pity for mere misfortune , like fear of it , is not tragic pity or fear . These are due to the spectacle of the con- flict and its attendant suffering , which do ...
... tragic , but only the suffering that comes of a special kind of action . Pity for mere misfortune , like fear of it , is not tragic pity or fear . These are due to the spectacle of the con- flict and its attendant suffering , which do ...
Стр. 64
... tragic , but unfit for the hero's part ; below him persons like Regan or , in the very depth , Oswald , characters no longer ( at least in the dramatic sense ) tragic at all . Moral evil , that is to say , so greatly diminishes the ...
... tragic , but unfit for the hero's part ; below him persons like Regan or , in the very depth , Oswald , characters no longer ( at least in the dramatic sense ) tragic at all . Moral evil , that is to say , so greatly diminishes the ...
Стр. 130
... tragic rhythm analyzes human action temporally into successive modes , as a crystal analyzes a white beam of light spatially into the colored bands of the spectrum . The chorus , always present , represents one of these modes , and at ...
... tragic rhythm analyzes human action temporally into successive modes , as a crystal analyzes a white beam of light spatially into the colored bands of the spectrum . The chorus , always present , represents one of these modes , and at ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing