Criticism: The Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 5
... True . Then the user of them must have the greatest experience of them , and he must indicate to the maker the good or bad qualities which develop themselves in use ; for example , the flute - player will tell the flute - maker which of ...
... True . Then the user of them must have the greatest experience of them , and he must indicate to the maker the good or bad qualities which develop themselves in use ; for example , the flute - player will tell the flute - maker which of ...
Стр. 6
... true or healthy aim . Exactly . The imitative art is an inferior who marries an inferior , and has inferior offspring . Very true . And is this confined to the sight only , or does it extend to the hearing also , relating in fact to ...
... true or healthy aim . Exactly . The imitative art is an inferior who marries an inferior , and has inferior offspring . Very true . And is this confined to the sight only , or does it extend to the hearing also , relating in fact to ...
Стр. 490
... true and untrue or only half - true . It is charlatanism , con- scious or unconscious , whenever we confuse or obliterate these . And in poetry , more than any- where else , it is unpermissible to confuse or obliterate them . For in ...
... true and untrue or only half - true . It is charlatanism , con- scious or unconscious , whenever we confuse or obliterate these . And in poetry , more than any- where else , it is unpermissible to confuse or obliterate them . For in ...
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism divine drama effect elements emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing