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Стр. 366
Love hath Reason , Reason none , If what parts , can so remaine . . and it is Reason which goes on to utter the beautiful threnos with which the poem con- cludes : Beautie , Truth , and Raritie , Grace in all simplicitie ...
Love hath Reason , Reason none , If what parts , can so remaine . . and it is Reason which goes on to utter the beautiful threnos with which the poem con- cludes : Beautie , Truth , and Raritie , Grace in all simplicitie ...
Стр. 458
All the authors of revolutions in opinion are not only neces- sarily poets as they are inventors , nor even as their words unveil the permanent analogy of things by images which participate in the life of truth ; but as their periods ...
All the authors of revolutions in opinion are not only neces- sarily poets as they are inventors , nor even as their words unveil the permanent analogy of things by images which participate in the life of truth ; but as their periods ...
Стр. 494
Only one thing we may add as to the sub- stance and matter of poetry , guiding ourselves by Aristotle's profound observation that the su- periority of poetry over history consists in its possessing a higher truth and a higher serious- ...
Only one thing we may add as to the sub- stance and matter of poetry , guiding ourselves by Aristotle's profound observation that the su- periority of poetry over history consists in its possessing a higher truth and a higher serious- ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action appear artist beauty become beginning believe better called cause character comes common consider course criticism drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing