Criticism: The Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
Результаты поиска по книге
Результаты 1 – 3 из 54
Стр. 316
... ture , which however valuable in itself , has for the most part only an asserted relation with the works from which it springs . The sense of con- tinuous relationship , of sustained contact , with the works nominally in hand is rare ...
... ture , which however valuable in itself , has for the most part only an asserted relation with the works from which it springs . The sense of con- tinuous relationship , of sustained contact , with the works nominally in hand is rare ...
Стр. 381
... ture , so art was to create its own forms out of itself rather than accepting them ready - made from the practice of the past . Criticism was not to prescribe rules for art , but was to explore the necessary laws by which art governs ...
... ture , so art was to create its own forms out of itself rather than accepting them ready - made from the practice of the past . Criticism was not to prescribe rules for art , but was to explore the necessary laws by which art governs ...
Стр. 507
... ture , to point out what is important in it , what trivial and accessory , which features depend upon which , how it has arisen , and how it is probably going to influence his future experi- ence . There are , of course , wide gaps in ...
... ture , to point out what is important in it , what trivial and accessory , which features depend upon which , how it has arisen , and how it is probably going to influence his future experi- ence . There are , of course , wide gaps in ...
Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
Часто встречающиеся слова и выражения
action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism divine drama effect elements emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing