Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 91
... understand either the character or the decision of the woman he so deeply loved . Circling across the sea and the American conti- nent , he returned again to Paris by an irresist- ible compulsion , and at twilight one evening , a gray ...
... understand either the character or the decision of the woman he so deeply loved . Circling across the sea and the American conti- nent , he returned again to Paris by an irresist- ible compulsion , and at twilight one evening , a gray ...
Стр. 137
... understand how his final result arises from the individual conflicts of his characters , he must in turn understand what are the manifold conditions of lives which have made each of those individuals what she or he is . " What emerges ...
... understand how his final result arises from the individual conflicts of his characters , he must in turn understand what are the manifold conditions of lives which have made each of those individuals what she or he is . " What emerges ...
Стр. 268
... understand ; he cannot objectify it , and it there- fore remains to poison life and obstruct action . None of the ... understand things which Shakespeare did not understand himself . R. JOYCE'S book has been out long enough for no 268 ...
... understand ; he cannot objectify it , and it there- fore remains to poison life and obstruct action . None of the ... understand things which Shakespeare did not understand himself . R. JOYCE'S book has been out long enough for no 268 ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration Allen Tate ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing