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Стр. 393
T HE CENTRAL argument of this essay , con- cerning what I shall , taking a term from Hegel , call the " concrete universal , " pro- ceeds from the observation that literary theorists have from early times to the present persisted in ...
T HE CENTRAL argument of this essay , con- cerning what I shall , taking a term from Hegel , call the " concrete universal , " pro- ceeds from the observation that literary theorists have from early times to the present persisted in ...
Стр. 394
Why this should be so is a question which - even though one avoid the metaphysical problem of " essence " -one must consider in discussing the structure of the " concrete universal . " 2 Whether or not one believes in universals ...
Why this should be so is a question which - even though one avoid the metaphysical problem of " essence " -one must consider in discussing the structure of the " concrete universal . " 2 Whether or not one believes in universals ...
Стр. 397
For then the picture would present the same universal as Reynolds ' portrait of Mrs. Siddons as " The Tragic Muse , " and all differ- ences between " The Age of Innocence " and " The Tragic Muse " would be aesthetically irrelevant .
For then the picture would present the same universal as Reynolds ' portrait of Mrs. Siddons as " The Tragic Muse , " and all differ- ences between " The Age of Innocence " and " The Tragic Muse " would be aesthetically irrelevant .
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing