Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 111
... writing the poem . If I had sought for rhymes I should inevitably have been compelled to distort my narrative and my imagery , and to that extent to be false to my inspiration . And such , indeed , has always been my practice in writing ...
... writing the poem . If I had sought for rhymes I should inevitably have been compelled to distort my narrative and my imagery , and to that extent to be false to my inspiration . And such , indeed , has always been my practice in writing ...
Стр. 166
... writing is not yet universal , and outcrops of simplicity will occur here and there in the worst - written page . Still , if you or I were told to write a few lines on the uncertainty of human fortunes , we should prob- ably come much ...
... writing is not yet universal , and outcrops of simplicity will occur here and there in the worst - written page . Still , if you or I were told to write a few lines on the uncertainty of human fortunes , we should prob- ably come much ...
Стр. 188
... writing is essentially one of concentration , and the supposed eccen- tricities of poets are usually due to mechanical habits or rituals developed in order to concen- trate . Concentration , of course , for the purposes of writing ...
... writing is essentially one of concentration , and the supposed eccen- tricities of poets are usually due to mechanical habits or rituals developed in order to concen- trate . Concentration , of course , for the purposes of writing ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Часто встречающиеся слова и выражения
action appear artist beauty become beginning believe better called cause character comes common consider course criticism direct drama effect elements emotion English example existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important interest James kind knowledge language least less light literature living look manner matter means merely method mind moral nature never novel object observed once particular passion perhaps persons play pleasure plot poem poet poetic poetry possible present principle produced prose question reader reason relation represent scene seems sense simple speak spirit story things thought tion tragedy tragic true truth turn understand universal verse whole writing