Romanticism and Visuality: Fragments, History, SpectacleRoutledge, 2007 M12 12 - 246 pages This book investigates the productive crosscurrents between visual culture and literary texts in the Romantic period, focusing on the construction and manipulation of the visual, the impact of new visual media on the literary and historical imagination, and on fragments and ruins as occupying the shifting border between the visible and the invisible. It examines a broad selection of instances that reflect debates over how seeing should itself be viewed: instances, from Daguerre's Diorama, to the staging of Coleridge's play Remorse, to the figure of the Medusa in Shelley's poetry and at the Phantasmagoria, in which the very act of seeing is represented or dramatized. In reconsidering literary engagements with the expanding visual field, this study argues that the popular culture of Regency Britain reflected not just emergent and highly capitalized forms of mass entertainment, but also a lively interest in the aesthetic and conceptual dimensions of looking. What is commonly thought to be the Romantic resistance to the visible gives way to a generative fascination with the visual and its imaginative--even spectacular--possibilities. |
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... poet involved overcoming a superficial dependence on the senses , particularly sight , and makes explicit his ... poet's attention to something largely invisible . Wordsworth's " visual " apprenticeship is properly the subject of ...
... poet's desire - to grasp and convey the past , to see it into the future . History , memory , temporality : these are all important factors in the way fragmentation informs visuality in Keats's poems , and underscore the poet's anxiety ...
... poet's death. Any full edition of the poetic works of Romantic authors reveals a surprising number simply titled “fragment.” In some instances, these were published by the author in his or her lifetime, to capitalize on the popularity ...
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Contents
The Fragment in Ruins | |
Ruins History Museums | |
Romantic Idealism and the Interference of Sight | |
The Diorama the Double and the Gothic Subject | |
Coleridge Schiller and the play of Semblance | |
Shelley Medusa and the Phantasmagoria | |
Notes | |
Bibliography | |
Index | |