The Quarterly Review, Volume 235, Issue 467John Murray, 1921 |
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Page 271
... artistic abilities ; yet , as is well known , he lacked the systematising spirit required to co - ordinate logically the fruits of his philosophic reflexion -a defect which also characterised the mind of Plato . It is one of the main ...
... artistic abilities ; yet , as is well known , he lacked the systematising spirit required to co - ordinate logically the fruits of his philosophic reflexion -a defect which also characterised the mind of Plato . It is one of the main ...
Page 272
... artistic facts with the other facts of the mental life . This programme he was him- self destined to carry out in his own æsthetic philosophy , a glance at which is necessary if we are properly to understand his conception of the ...
... artistic facts with the other facts of the mental life . This programme he was him- self destined to carry out in his own æsthetic philosophy , a glance at which is necessary if we are properly to understand his conception of the ...
Page 274
... artistic . It follows , too , that no moral value whatever attaches to the artistic fact quá artistic , for the will has not been engaged in its production ; further , that Beauty con- sists in the form of art ( and the form only ) ...
... artistic . It follows , too , that no moral value whatever attaches to the artistic fact quá artistic , for the will has not been engaged in its production ; further , that Beauty con- sists in the form of art ( and the form only ) ...
Page 275
... artistic fact of all value - feelings and can therefore find , as we shall see , no difference in beauty between an epic and an epigram , so long as both are perfectly self - expressive . Although by this expedient he certainly supplies ...
... artistic fact of all value - feelings and can therefore find , as we shall see , no difference in beauty between an epic and an epigram , so long as both are perfectly self - expressive . Although by this expedient he certainly supplies ...
Page 277
... artistic fact not , as is usually done , with the physical or outward work of art , as given in experience , but only with the abstracted mental form or expression , of which the external fact is to be treated as the mere symbol , then ...
... artistic fact not , as is usually done , with the physical or outward work of art , as given in experience , but only with the abstracted mental form or expression , of which the external fact is to be treated as the mere symbol , then ...
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