The Poetics of Psychoanalysis: In the Wake of KleinOUP Oxford, 2005 M12 22 - 316 pages The Poetics of Psychoanalysis: In the Wake of Klein explores the literary aspects of the twentieth-century psychoanalytic tradition that has come to be known as British Object Relations psychoanalysis. Focusing on Melanie Klein's legacy to psychoanalysis between the 1930s and 1970s, it deals with major figures such as Riviere, Isaacs, Winnicott, Milner, and Bion, as well as Klein's contemporary, Ella Sharpe. Mary Jacobus breaks new ground by giving a central place to the literary and aesthetic concerns of the British Object Relations tradition. Paying close attention to writing that is often side-lined by literary critics and theorists, she makes fruitful connections with particular works of literature and art, along with pressing contemporary issues. The three sections focus on the transitions, mediations, and transformations that took place in British Object Relations psychoanalysis as Klein's ideas were developed and transformed. Situating Kleinian thought in relation to later developments and differences, while making it accessible to non-psychoanalytic readers, The Poetics of Psychoanalysis argues against the separation of British and continental traditions and for the continuing links between psychoanalysis and aesthetics. Rather than applying psychoanalytic ideas to literature and aesthetics, the book traces the British Object Relations tradition as a form of proto-modernist discourse in its own right. Linked by a common thread of ideas and structured to reflect a roughly chronological trajectory, individual chapters can also be read as free-standing critical essays. Aimed at literary readers, this book will also be of interest to psychoanalytic practitioners and cultural theorists. |
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Page v
... never stands still. Part I ('Transitions') emphasizes the shifts that spanned the period of Klein's own life and work. Starting with Ella Sharpe's emphasis on 'body poetics' (the concrete and corporeal aspects of language), Chapter 1 ...
... never stands still. Part I ('Transitions') emphasizes the shifts that spanned the period of Klein's own life and work. Starting with Ella Sharpe's emphasis on 'body poetics' (the concrete and corporeal aspects of language), Chapter 1 ...
Page 14
... never saw them inside, I never saw them get out or get in'—is initially associated by the dreamer herself with a feeling of boredom. But later in the same session, she gives an enthusiastic description of Mickey Mouse jumping into a ...
... never saw them inside, I never saw them get out or get in'—is initially associated by the dreamer herself with a feeling of boredom. But later in the same session, she gives an enthusiastic description of Mickey Mouse jumping into a ...
Page 18
... never entirely relinquished: The ineradicable infantile wishes for concrete realization never cease. The acceptance Sharpe's difference with Klein is not so much over the. of a symbol, the capacity for mental imagery, means not that ...
... never entirely relinquished: The ineradicable infantile wishes for concrete realization never cease. The acceptance Sharpe's difference with Klein is not so much over the. of a symbol, the capacity for mental imagery, means not that ...
Page 21
... never forgets the murderousness that lines the wish for concrete realization. The ear is the target of the word's attack in Hamlet, while the Elizabethan stage becomes 'the actual battlefields of Europe' (CP 240). Wars of words and ...
... never forgets the murderousness that lines the wish for concrete realization. The ear is the target of the word's attack in Hamlet, while the Elizabethan stage becomes 'the actual battlefields of Europe' (CP 240). Wars of words and ...
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Aeschylus aesthetic analysis anxiety associated becomes Bion Bion’s body Books breast calls capacity child clinical communication concept container death depressive position describes desire destructive discussion drawing dream elements emotional experience express eyes fear feelings figure force Freud function gives Green hallucination ibid ideas identification imagination includes infant inner internal interpretation involves Jones Karnac Books Klein Kleinian language later letter living London lost magic material meaning Melanie mental metaphor Milner mind mother negative never object observation once original pain patient personality phantasy play position Prelude primitive projective provides psychic psychoanalysis reality refers relation represents Riviere Riviere’s seems sense Sharpe Sharpe’s sound space suggests Susan symbolic takes tank terror theory things thinking thought transformation transitional turn unconscious understanding University Press Winnicott woman women writing York