The Quarterly Review, Volume 246William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir William Smith, Sir John Murray IV, Rowland Edmund Prothero Baron Ernle John Murray, 1926 |
From inside the book
Results 1-5 of 73
Page 7
... question of professionalism , Mr Robertson points out that the architect must definitely elect whether he is going to be a professional man and nothing else or an artist . Mr Robertson , who rightly elects for the latter , seems to be ...
... question of professionalism , Mr Robertson points out that the architect must definitely elect whether he is going to be a professional man and nothing else or an artist . Mr Robertson , who rightly elects for the latter , seems to be ...
Page 11
... question of facts . In architecture it is not a question of facts but of aesthetic , a matter of taste . To put it mildly , it seems to me unsportsmanlike for one architect to criticise another in the public press so long as they are ...
... question of facts . In architecture it is not a question of facts but of aesthetic , a matter of taste . To put it mildly , it seems to me unsportsmanlike for one architect to criticise another in the public press so long as they are ...
Page 12
... question when out of the three conditions he selects aesthetic value as the sole criterion , and as an architect himself he can hardly intend to eliminate plan and construction as unessential elements and restrict the art of archi ...
... question when out of the three conditions he selects aesthetic value as the sole criterion , and as an architect himself he can hardly intend to eliminate plan and construction as unessential elements and restrict the art of archi ...
Page 14
... question that they knew perfectly well what they were about so far as mere technique was con- cerned . Longhena , for example , had a wider range of technique than Palladio . On the other hand , if the Renaissance is regarded , as I ...
... question that they knew perfectly well what they were about so far as mere technique was con- cerned . Longhena , for example , had a wider range of technique than Palladio . On the other hand , if the Renaissance is regarded , as I ...
Page 23
... question of the dexterity of these artists , but was it worth doing and is it worth doing now ? One regrets that , in the interesting attempts to reintroduce Baroque decoration , these silly tricks of the illusionist have been revived ...
... question of the dexterity of these artists , but was it worth doing and is it worth doing now ? One regrets that , in the interesting attempts to reintroduce Baroque decoration , these silly tricks of the illusionist have been revived ...
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