From Chaucer to Tennyson: English Literature in Eight ChaptersChautauqua Press, 1890 - 302 pages |
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Page 88
... critical , textual , historical , or illustrative , testifies to the durability and growth of his fame . Above all , his plays still keep , and probably always will keep , the stage . It is common to speak of Shakspere and the other ...
... critical , textual , historical , or illustrative , testifies to the durability and growth of his fame . Above all , his plays still keep , and probably always will keep , the stage . It is common to speak of Shakspere and the other ...
Page 124
... critical and self - conscious . The Academy had been formed in 1636 for the preservation of the purity of the French language , and discussion abounded on the principles and methods of literary art . Corneille not only wrote tragedies ...
... critical and self - conscious . The Academy had been formed in 1636 for the preservation of the purity of the French language , and discussion abounded on the principles and methods of literary art . Corneille not only wrote tragedies ...
Page 129
... critical essays in riming couplets . The Earl of Mulgrave published two " poems " of this kind , an Essay on Satire , and an Essay on Poetry . The Earl of Roscom- mon who , said Addison , " makes even rules a noble poetry ” —made a ...
... critical essays in riming couplets . The Earl of Mulgrave published two " poems " of this kind , an Essay on Satire , and an Essay on Poetry . The Earl of Roscom- mon who , said Addison , " makes even rules a noble poetry ” —made a ...
Page 132
... critical essays were mostly written as prefaces or dedications to his poems and plays . But his Essay of Dramatic Poesie , which Dr. Johnson called our " first regular and valuable treatise on the art of writing , " was in the shape of ...
... critical essays were mostly written as prefaces or dedications to his poems and plays . But his Essay of Dramatic Poesie , which Dr. Johnson called our " first regular and valuable treatise on the art of writing , " was in the shape of ...
Page 144
... critical edition of Chaucer , and Horace Walpole's Gothic romance , the Castle of Otranto , 1765 , stimulated this awakened interest in the picturesque aspects of feudal life , and contributed to the fondness for supernatural and ...
... critical edition of Chaucer , and Horace Walpole's Gothic romance , the Castle of Otranto , 1765 , stimulated this awakened interest in the picturesque aspects of feudal life , and contributed to the fondness for supernatural and ...
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Common terms and phrases
18th century Alfred Tennyson ballads Beaumont beauty Ben Jonson blank verse Bleak House Burns Byron Canterbury Tales character Chaucer chronicle Church classical Coleridge comedy contemporary court death doth drama dramatists Dryden Elizabethan England English poetry English poets essays Euphuist eyes Faerie Queene fair fashion Fletcher French genius George Eliot Greek hath heart Henry hero hire humor imagination John Johnson King Lady language Latin Lawrence Sterne literary literature lived London Lord lyrical manner Matthew Arnold Milton modern nature never night novel Paradise Lost passages passion plays poem poet poetic poetry Pope prose published Puritan Queen reader reign romance satire Scott Shakspere Shakspere's sings song sonnets soul Spenser spirit story Struldbrugs style sweet Tale taste Thackeray thee thing Thomas thou thought tion tragedy translation Whig wild words Wordsworth writings written wrote young
Popular passages
Page 252 - For, e'en though vanquished, he could argue still, While words of learned length and thundering sound Amazed the gazing rustics ranged around; And still they gazed, and still the wonder grew That one small head could carry all he knew.
Page 162 - Love had he found in huts where poor Men lie : His daily Teachers had been Woods and Rills, The silence that is in the starry sky, The sleep that is among the lonely hills.
Page 260 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised...
Page 230 - Read not to contradict and confute, nor to believe and take for granted, nor to find talk and discourse, but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested...
Page 254 - A long, long sigh, and wept a last adieu ! But was it such ? — It was.— Where thou art gone, Adieus and farewells are a sound unknown: May I but meet thee on that peaceful shore, The parting word shall pass my lips no more ! Thy maidens, grieved themselves at my concern, Oft gave me promise of thy quick return.
Page 227 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will, And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Page 272 - There was a sound of revelry by night, And Belgium's capital had gathered then Her Beauty and her Chivalry, and bright The lamps shone o'er fair women and brave men ; A thousand hearts beat happily ; and when Music arose with its voluptuous swell, Soft eyes looked love to eyes which spake again, And all went merry as a marriage-bell ; But hush ! hark ! a deep sound strikes like a rising knell ! XXII.
Page 251 - At church, with meek and unaffected grace, His looks adorned the venerable place; Truth from his lips prevailed with double sway, And fools, who came to scoff, remained to pray.
Page 239 - Harmonious numbers; as the wakeful bird Sings darkling, and in shadiest covert hid Tunes her nocturnal note. Thus with the year Seasons return, but not to me returns Day, or the sweet approach of ev'n or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine...
Page 286 - Blow, bugle, blow, set the wild echoes flying, Blow, bugle ; answer, echoes, dying, dying, dying. O hark, O hear ! how thin and clear, And thinner, clearer, farther going ! O sweet and far from cliff and scar The horns of Elfland faintly blowing ! Blow, let us hear the purple glens replying : Blow, bugle ; answer, echoes, dying, dying, dying.
References to this book
Ballad Collection, Lyric, and the Canon: The Call of the Popular from the ... Steve Newman No preview available - 2007 |