Outline History of the Fine Arts: Embracing a View of the Rise, Progress, and Influence of the Arts Among Different Nations, Ancient and Modern, with Notices of the Character and Works of Many Celebrated Artists ...Harper and Brothers, 1840 - 330 pages |
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Page 15
... considered a correct representation of the first and progressive efforts of the uneducated artisan in constructing a useful and ornamental edifice . Strength is the leading feature in both , but more particularly in the building on the ...
... considered a correct representation of the first and progressive efforts of the uneducated artisan in constructing a useful and ornamental edifice . Strength is the leading feature in both , but more particularly in the building on the ...
Page 17
... considered as the first dawn- ing of that day of Grecian architectural glory , when the splendid Parthenon arose upon the brow of the Acropolis , and temples of minor magnificence , but of equal beauty , decorated each hill and valley ...
... considered as the first dawn- ing of that day of Grecian architectural glory , when the splendid Parthenon arose upon the brow of the Acropolis , and temples of minor magnificence , but of equal beauty , decorated each hill and valley ...
Page 19
... considered by Montgomery , as one of the most beautiful specimens of ancient Hebrew poetry . measures it in the following manner : - " Adah and Zillah hear my voice ; Ye wives of Lamech hearken unto my speech , For I have slain a man to ...
... considered by Montgomery , as one of the most beautiful specimens of ancient Hebrew poetry . measures it in the following manner : - " Adah and Zillah hear my voice ; Ye wives of Lamech hearken unto my speech , For I have slain a man to ...
Page 35
... considered by many as a model of excel- lence . This temple exhibits none of the beau- ties of those orders which distinguish the sacred edifices of Greece of a later period , but so per- fectly proportionate is it in all its ...
... considered by many as a model of excel- lence . This temple exhibits none of the beau- ties of those orders which distinguish the sacred edifices of Greece of a later period , but so per- fectly proportionate is it in all its ...
Page 38
... considered the grandest ar- chitectural monuments ever reared by man . The base of the great pyramid is about eight hundred feet square , and four hundred and sixty- four feet high . It is supposed to contain six millions of cubic feet ...
... considered the grandest ar- chitectural monuments ever reared by man . The base of the great pyramid is about eight hundred feet square , and four hundred and sixty- four feet high . It is supposed to contain six millions of cubic feet ...
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Common terms and phrases
adorned Albert Durer ancient antiquity Apelles arch architects architrave Aristides of Thebes art of sculpture artist Athens beautiful building built Cæsar called capital celebrated cents century character church Cimabue coins colossal colours columns Composite order cultivated decorated domestic architecture Doric drawing Durer early edifices Egypt Egyptian eminence employed England engraving erected Etruscans excellent executed exhibit feet high flourished frieze genius Grecian Greece Greeks Hindoo honour human figure hundred years B. C. imitation invention Julius Cæsar king latter Lysippus magnificent marble ment Michael Angiolo modern monuments mosaic Muslin Nicholas Poussin origin ornaments painter painting palace Parthenon Pausanias pencil perfection Pericles period Phidias picture Pliny Polygnotus portrait practised Praxiteles present produced pyramids Raffaelle reign repre represented Roman Rome ruins sacred says sculp sculpture seen specimens splendid statue stone style supposed taste temple Thebes tion Titian tombs ture Vitruvius walls wood writers Zeuxis
Popular passages
Page 3 - The Swiss Family Robinson; or, the Adventures of a Father and Mother and Four Sons on a Desert Island. With Explanatory Notes and Illustrations. First and Second Series. New Edition, complete in one volume, 3s. 6d. Geography for my Children. By Mrs. Harriet Beecher Stowe. Author of " Uncle Tom's Cabin,
Page 210 - Thou shalt not make to thyself any graven image, nor the likeness of any thing that is in heaven above, or in the earth beneath, or in the water under the earth. Thou shalt not bow down to them, nor worship them...
Page 222 - His line is uniformly grand. Character and beauty were admitted only as far as they could be made subservient to grandeur. The child, the female, meanness, deformity, were by him indiscriminately stamped with grandeur. A beggar rose from his hand the patriarch of poverty ; the hump of his dwarf is impressed with dignity ; his women are moulds of generation ; his infants teem with the man ; his men are a race of giants. This is the ' Terribil Via ' hinted at by Agostino Carracci.
Page 290 - Cunio, twin brother and sister ; first reduced, imagined, and attempted to be executed in relief with a small knife on blocks of wood, made even and polished by this learned and dear sister...
Page 290 - ... attempted to be executed in relief, with a small knife on blocks of wood, made even and polished by this learned and dear sister ; continued and finished by us together, at Ravenna, from the eight pictures of our invention, painted six times larger than here represented ; engraved, explained by verses, and thus marked upon the paper, to perpetuate the number of them, and to enable us to present them to our relations and friends in testimony of gratitude, friendship, and affection. All this was...
Page 223 - He is the inventor of epic painting, in that sublime circle of the Sistine chapel which exhibits the origin, the progress, and the final dispensations of theocracy. He has personified motion in the groups of the cartoon of Pisa; embodied sentiment on the monuments of St.
Page 207 - Minotaur, which lies stretched at his feet, with the head of a bull and the body of a man.
Page 217 - To a capacity which at once penetrated the principle and real aim of the art, he joined an inequality of fancy that at one moment lent him wings for the pursuit of beauty, and the next flung him on the ground to crawl after deformity : we owe him chiaro-scuro with all its magic, we owe him caricature with all its incongruities.
Page 223 - The fabric of St. Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Page 141 - Daughter of Tantalus, Niobe, hear my words which are the messengers of wo ; listen to the piteous tale of our sorrows. Loose the bindings of thy hair, mother of a race of youths who have fallen beneath the deadly arrows of Phoebus. Thy sons no longer live. But what is this ? I see something more. The blood of thy daughters too is streaming around. One lies at her mother's knees ; another in her lap ; a third on the earth ; and one clings to the breast : one gazes stupified at the coming blow, and...