 | 1811 - 600 pages
...painter of man« kind, rejected all meretricious ornament. The fabric of St. Peter, scat« tered into infinity of jarring parts by Bramante and his successors,...the cupola; and to the most complex gave « the air 9f the most simple of edifices. Such, take him all in all, was « M. Angelo, the salt of art: sometimes... | |
 | Alexander Chalmers - 1813 - 504 pages
...ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by his predecessors, he concentrated, suspended the cupola, and to the...Simple of edifices. Such, take him all in all, was Michel Angelo, the -salt of art ; sometimes he, no doubt, had moments, and perhaps periods of dereliction,... | |
 | Thomas Curtis (of Grove house sch, Islington) - 512 pages
...color ; and, as the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter, scattered into an infinity of jarring parts by Bramante...simple of edifices. Such, take him all in all, was M. Angiolo, the salt of art: sometimes he no doubt had his moments of dereliction, deviated into manner,... | |
 | Matthew Pilkington - 1829 - 586 pages
...ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by his predecessors, he concentrated, suspended the cupola, and to the...gave the air of the most simple of edifices. Such was Michel Angelo, the salt of art : sometimes he had moments and perhaps periods of dereliction, deviated... | |
 | Benjamin Dudley Emerson - 1830 - 334 pages
...the painter of mankind, rejected all meretricious ornament. The fabric of St Peter, scattered into infinity of jarring parts by Bramante and his successors,...gave the air of the most simple of edifices. Such was Michael Angelo, the salt of art : sometimes he, no doubt, had his moments of dereliction, deviated... | |
 | Allan Cunningham - 1833 - 292 pages
...meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramanti and. his successors, he concentrated, suspended the...complex gave the air of the most simple of edifices." This character carries the image of the author's mind ; the style, however, is clearer, and the expression... | |
 | Allan Cunningham - 1830 - 374 pages
...meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramanti and his successors, he concentrated, suspended the...complex gave the air of the most simple of edifices." This character carries the image of the author's mind ; the style, however, is clearer, and the expression... | |
 | Benjamin Dudley Emerson - 1831 - 356 pages
...the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter, scattered into infinity of jarring parts by Bramante and his successors,...gave the air of the most simple of edifices. Such was Michael Angelo, the salt of art: sometimes he, no doubt, had his moments of dereliction, deviated... | |
 | Johann Heinrich Füssli - 1831 - 420 pages
...possession of W. Lock, Esq. was painted in distemper (a tempera); all small or large oil-pictures mante and his successors, he concentrated; suspended the...simple of edifices. Such, take him all in all, was M. Angelo, the salt of art: sometimes he no doubt had his moments of dereliction, deviated into manner,... | |
 | 1833 - 308 pages
...the painter of mankind, rejected all meretricious ornament. The fabric of St. Peter's, scattered into infinity of jarring parts by Bramante and his successors,...air of the most simple of edifices. Such, take him for all in all, was M. Angelo, the salt of art : sometimes he no doubt had his moments of dereliction,... | |
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The fabric of St. Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices. 
