Perspectives & Identities: The Elizabethan Writer's Search to Know His WorldRubicon Press, 1989 - Всего страниц: 234 |
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Стр. 81
... stage and announces his ability : Why , I can smile , and murder whiles I smile ; And cry ' content ' to that which grieves my heart ; And wet my cheeks with artificial tears , And frame my face to all occasions.8 As an actor himself ...
... stage and announces his ability : Why , I can smile , and murder whiles I smile ; And cry ' content ' to that which grieves my heart ; And wet my cheeks with artificial tears , And frame my face to all occasions.8 As an actor himself ...
Стр. 102
... stage . Different characters used different ' languages ' . It is , of course , true that the schools of rhet- oric recognized the principle of ' decorum ' , but this had not creat- ed a realistic approach to speech on the stage ...
... stage . Different characters used different ' languages ' . It is , of course , true that the schools of rhet- oric recognized the principle of ' decorum ' , but this had not creat- ed a realistic approach to speech on the stage ...
Стр. 104
... stage , increased the focus on individuality . Even if an audience saw through a disguise , a good actor could make a character seem individual and alive . Theatrical posturing , and the habit of declaiming a speech - and these were ...
... stage , increased the focus on individuality . Even if an audience saw through a disguise , a good actor could make a character seem individual and alive . Theatrical posturing , and the habit of declaiming a speech - and these were ...
Содержание
New Perspectives | 7 |
Shifting Viewpoints | 36 |
Themes of Mistaken Identity | 70 |
Авторские права | |
Не показаны другие разделы: 7
Часто встречающиеся слова и выражения
allegory Arcadia Aristotle attitude authority Basilius became believed Bruno century Chapman chapter characters comedy concerned Copernicus court courtier critical death disguise divine drama earth elements Elizabeth Elizabethan Epicene expressed Faerie Queene favour Gabriel Harvey Giordano Bruno Greville Hermes Hermetic Hermetists Hero Hero and Leander human humours ideas identity individual influence intellectual interest John Dee Jonson King King Lear later Lear literary magic melancholy ment Midsummer Night's Dream mind moral moved Musidorus nature neo-Platonic notion numbers Ocean to Cynthia passion person perspectives Philoclea Plato play poem poet poetic poetry political Princes problems produced prose Ptolemaic Pyrocles Raleigh reader refers religious Renaissance role romance scholars seems sense Shakespeare Sidney's Sir Philip Sidney Sir Walter Raleigh sometimes sonnet Soul Spenser stars story strong style theme of mistaken things thinkers thought tion traditional Troilus and Cressida universe verse viewpoints views writing wrote
Ссылки на эту книгу
Bloody Signifiers: A Body for a Word on the Renaissance Stage Mary Ann Grizans Просмотр фрагмента - 1997 |