History of English Literature, Volume 1, Part 2Chatto & Windus, 1897 |
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Page 219
... painting in Italy were pagan - The ideal is the strong and happy man , limited by the present life · 230 239 243 · § 2. POETRY . L The English Renaissance is the Renaissance of the Saxon genius 250 • IL The forerunners - The Earl of ...
... painting in Italy were pagan - The ideal is the strong and happy man , limited by the present life · 230 239 243 · § 2. POETRY . L The English Renaissance is the Renaissance of the Saxon genius 250 • IL The forerunners - The Earl of ...
Page 229
... paintings enable us to understand so well the ecclesiastical piety of the middle - age , which was altogether like that of the Buddhists . splendid imagination , reveries , visions , artists , believers CHAP . I. 229 THE PAGAN RENAISSANCE .
... paintings enable us to understand so well the ecclesiastical piety of the middle - age , which was altogether like that of the Buddhists . splendid imagination , reveries , visions , artists , believers CHAP . I. 229 THE PAGAN RENAISSANCE .
Page 234
... painting in Italy , so like a piece of acting , that it produced the drama in England . Now that the axe and sword of the civil wars had beaten down the independent nobility , and the abolition of the law of maintenance had destroyed ...
... painting in Italy , so like a piece of acting , that it produced the drama in England . Now that the axe and sword of the civil wars had beaten down the independent nobility , and the abolition of the law of maintenance had destroyed ...
Page 238
... paintings of Rubens can alone give an idea : - " The attire of the lords was from the antique Greek statues . On their heads they wore Persic crowns , that were with scrolls of gold plate turned outward , and wreathed about with a carna ...
... paintings of Rubens can alone give an idea : - " The attire of the lords was from the antique Greek statues . On their heads they wore Persic crowns , that were with scrolls of gold plate turned outward , and wreathed about with a carna ...
Page 248
... paint moral expression as nowadays , the depth of a soul tortured and refined by three centuries of culture . They confine themselves to the body , to the extent even of speaking enthusiastically of the spinal column itself , " which is ...
... paint moral expression as nowadays , the depth of a soul tortured and refined by three centuries of culture . They confine themselves to the body , to the extent even of speaking enthusiastically of the spinal column itself , " which is ...
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Common terms and phrases
appear Arcadia artists Astrophel and Stella Beaumont and Fletcher beauty Ben Jonson breath century cheeks chivalry Christian colour court death delight display divine doth drama dreams Duchess of Malfi England English express eyes Faerie Queene faire fancy fermier-général flowers genius gold golden goodly hands happy hath head heart heaven Henry VIII Holinshed honour human Ibid ideas images imagination instincts Italian Italy Jonson king kiss knight ladies light lips living lofty look lord lovers Marlowe Melicertus middle-age mind mistress Nathan Drake nature never noble nymphs pagan painting passions pastoral Petrarch play pleasure Poems poet poetic poetry prose roses says sense sentiment Shakspeare shepherd shining Sidney sing song sonnet soul sparkling speak Spenser spirit splendid splendours spring style Surrey sweet sword taste thee Thierry and Theodoret thine things thou thought trees verse wanton weeping words
Popular passages
Page 352 - The end of our foundation is the knowledge of causes, and secret motions of things; and the enlarging of the bounds of human empire, to the effecting of all things possible.
Page 285 - A belt of straw and ivy buds With coral clasps and amber studs: And if these pleasures may thee move, Come live with me and be my love.
Page 349 - But the greatest error of all the rest, is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity, and inquisitive appetite ; sometimes to entertain their minds with variety and delight ; sometimes for ornament and reputation ; and sometimes to enable them to victory of wit and contradiction ; and most times for lucre and profession ; and seldom sincerely to give a true account of their...
Page 281 - And enamoured do wish, so they might But enjoy such a sight, That they still were to run by her side, Through swords, through seas, whither she would ride. Do but look on her eyes, they do light All that Love's world...
Page 254 - The turtle to her mate hath told her tale. Summer is come, for every spray now springs, The hart hath hung his old head on the pale; The buck in brake his winter coat he flings; The fishes...
Page 312 - He, making speedy way through spersed ayre, And through the world of waters wide and deepe, To Morpheus house doth hastily repaire. Amid the bowels of the earth full steepe, And low, where dawning day doth never peepe, His dwelling is ; there Tethys his wet bed Doth ever wash, and Cynthia still doth steepe In silver deaw his ever-drouping hed, Whiles sad Night over him her mantle black doth spred.
Page 281 - See the chariot at hand here of Love, Wherein my Lady rideth ! Each that draws is a swan or a dove, And well the car Love guideth. As she goes, all hearts do duty Unto her beauty; And enamour'd, do wish, so they might But enjoy such a sight, That they still were to run by her side, Through swords, through seas, whither she would ride.
Page 393 - And. seeing there was no place to mount up higher, Why should I grieve at my declining fall ? — Farewell, fair queen ; weep not for Mortimer, That scorns the world, and, as a traveller, Goes to discover countries yet unknown.
Page 281 - Or the nard in the fire ? Or have tasted the bag of the bee ? O so white, O so soft, O so sweet is she!
Page 345 - Darkness and light divide the course of time, and oblivion shares with memory a great part even of our living beings; we slightly remember our felicities, and the smartest strokes of affliction leave but short smart upon us. Sense endureth no extremities, and sorrows destroy us or themselves. To weep into stones are fables. Afflictions induce callosities, miseries are slippery, or fall like snow upon us, which notwithstanding is no unhappy stupidity.