Journal of Borderlands Studies, Том 25,Выпуски 1-4Department of Economics, New Mexico State University, 2010 |
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Стр. 69
... position implied in , and through , movie discourses . As we shall see , in many Hollywood war and action movies , this dominant subject position is made to emerge behind restricting epistemological and topographical barriers . I do not ...
... position implied in , and through , movie discourses . As we shall see , in many Hollywood war and action movies , this dominant subject position is made to emerge behind restricting epistemological and topographical barriers . I do not ...
Стр. 70
... position in the movie discourse . The soldier - self thus emerges as a privileged object for audience identification and empathy . In addition , many Hollywood war and action movies employ the soldier - self as the only character ...
... position in the movie discourse . The soldier - self thus emerges as a privileged object for audience identification and empathy . In addition , many Hollywood war and action movies employ the soldier - self as the only character ...
Стр. 80
... position of various hills mentioned in the agreement , or on what to do where the line , as drawn in 1887 , divided land areas recently granted by the King of the Swazi to European individuals and industrial companies . The petitions ...
... position of various hills mentioned in the agreement , or on what to do where the line , as drawn in 1887 , divided land areas recently granted by the King of the Swazi to European individuals and industrial companies . The petitions ...
Содержание
LifePlace Lessons | 19 |
Johan Schimanski and Stephen Wolfe GuestEditors Cultural Production | 39 |
Timothy Saunders Roman Borders and Contemporary Cultural Criticism | 51 |
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