Literary Criticism: An Introductory ReaderLionel Trilling Holt, Rinehart and Winston, 1970 - Всего страниц: 629 |
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Стр. 8
... audience . Of the two , the audience is the controlling one ; the pragmatic investigation of the par- ticular devices that were most advantageous to the poet took as its criterion the response of the audience : such effects as led the ...
... audience . Of the two , the audience is the controlling one ; the pragmatic investigation of the par- ticular devices that were most advantageous to the poet took as its criterion the response of the audience : such effects as led the ...
Стр. 9
... audience was not to last . The focus of criticism gradually shifted from the work of art to its maker , who came to ... audience and its demands diminished . The more authority criticism assigned to the poet , the less it granted to the ...
... audience was not to last . The focus of criticism gradually shifted from the work of art to its maker , who came to ... audience and its demands diminished . The more authority criticism assigned to the poet , the less it granted to the ...
Стр. 99
... audience by the plot ; but of anger , hatred , love , ambition , jealousy , revenge , etc. , as they are shown in this or that person of the play . To describe these naturally , and to move them artfully , is one of the greatest ...
... audience by the plot ; but of anger , hatred , love , ambition , jealousy , revenge , etc. , as they are shown in this or that person of the play . To describe these naturally , and to move them artfully , is one of the greatest ...
Содержание
Why Write? 495 | 5 |
Ion | 29 |
The Republic Book X | 40 |
Авторские права | |
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action admiration Aeschylus appear Aristotle artist audience beautiful called causes century character Comedy composition Cowley criticism culture Dante Alighieri degree delight diction distinction divine dramatic Dryden effect emotion English Epic poetry Euripides excellence excite existence expression feelings genius give Glaucon Hamlet heaven Hesiod Homer human idea Iliad images imagination imitation John Dryden judge judgment kind knowledge language less literary literature lyric Lyrical Ballads manner means metaphors metre Milton mind mode moral nature never object Odysseus Oedipus Paradise Lost passage passions perfect perhaps persons philosophical pity Plato play pleasure plot poem poet poet's poetic Polygnotus praise principle produced propriety prose reader reason rhapsode rhyme scene sense sentiments Shakespeare Socrates Sophocles soul speak spirit style T. S. Eliot theory things thought tion Tragedy true truth verse virtue whole words Wordsworth writing