From Harlem to Paris: Black American Writers in France, 1840-1980University of Illinois Press, 1991 - 358 pages This academic study uses accounts from more than 60 African American writers--Countee Cullen, James Baldwin, Chester Himes et al.--to explain why they were more readily accepted socially in Paris than in America. Fabre (The Unfinished Quest of Richard Wright) shows that French/black American affinity started in pre-Civil War New Orleans (and not, as the title suggests, in Harlem), when illegitimate mulattos with inheritances from French slave-owners sent their children to Paris to be educated. The book concludes that acceptance and appreciation of black Americans were based largely of French distaste both for white Americans, whom the French found egotistical, and for black Africans, with whom the French had a bitter "mutual colonial history." |
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... published in a transla- tion by Steven Rubin . Such related activities did not , however , further my initial project ; rather , they led me somewhat astray - namely , to start work on an Annotated Bibliography of the Reception of Afro ...
... published in a transla- tion by Steven Rubin . Such related activities did not , however , further my initial project ; rather , they led me somewhat astray - namely , to start work on an Annotated Bibliography of the Reception of Afro ...
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... published in Poésie 45 , the African poet found in their work the mark of a cosmic and human inspiration with a unique rhythm , " for song and poem are one and the same thing for the Negro , be he from America or elsewhere . " The ...
... published in Poésie 45 , the African poet found in their work the mark of a cosmic and human inspiration with a unique rhythm , " for song and poem are one and the same thing for the Negro , be he from America or elsewhere . " The ...
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... published in Marcel Duhamel's Série Noire de- tective series . France at least let him live , he says , while giving highly contradictory impressions of it in his autobiography . His exile did not stem from political harassment but from ...
... published in Marcel Duhamel's Série Noire de- tective series . France at least let him live , he says , while giving highly contradictory impressions of it in his autobiography . His exile did not stem from political harassment but from ...
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Contents
The New Orleans Connection | 9 |
Early Visitors Preachers and Abolitionists | 22 |
After Emancipation The Talented Tenth in Paris | 31 |
W E B Du Bois and World War I | 46 |
Langston Hughes and Alain Locke Jazz in Montmartre and African Art | 63 |
Countee Cullen The Greatest Francophile | 76 |
Claude McKay and the Two Faces of France | 92 |
Jessie Fauset and Gwendolyn Bennett | 114 |
Chester Himess Ambivalent Triumph | 215 |
William Gardner Smith An Eternal Foreigner | 238 |
Literary Coming of Age in Paris | 257 |
A New Mood Black Power in Paris | 269 |
Visitors All or Nearly | 285 |
William Melvin Kelley and Melvin Dixon Change of Territory | 298 |
Ted Joans The Surrealist Griot | 308 |
James Emanuel A Poet in Exile | 324 |
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