Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 174
... Freud himself developed , it can be said that Freud did indeed produce a wide liter- ary effect ? What is it that Freud added that the tendency of literature itself would not have de- veloped without him ? If we were looking for a ...
... Freud himself developed , it can be said that Freud did indeed produce a wide liter- ary effect ? What is it that Freud added that the tendency of literature itself would not have de- veloped without him ? If we were looking for a ...
Стр. 175
... Freud a second time , he does indeed speak of Freud's positivistic program ; but even here the bias induced by Mann's artistic interest in the " night side " pre- vents him from giving this aspect of Freud its proper emphasis . Freud ...
... Freud a second time , he does indeed speak of Freud's positivistic program ; but even here the bias induced by Mann's artistic interest in the " night side " pre- vents him from giving this aspect of Freud its proper emphasis . Freud ...
Стр. 177
... Freud's assumption of the almost exclusively hedonistic nature and purpose of art bar him from the perception of this . Of the distinction that must be made between the artist and the neurotic Freud is , of course , aware ; he tells us ...
... Freud's assumption of the almost exclusively hedonistic nature and purpose of art bar him from the perception of this . Of the distinction that must be made between the artist and the neurotic Freud is , of course , aware ; he tells us ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing