Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 140
... Milton's epic of the war be- tween God and the rebel angels . There are two other differences worth nothing : ( a ) Milton gains greater dramatic effect by putting the paradox into the mouth of Adam himself - a ground for this being ...
... Milton's epic of the war be- tween God and the rebel angels . There are two other differences worth nothing : ( a ) Milton gains greater dramatic effect by putting the paradox into the mouth of Adam himself - a ground for this being ...
Стр. 335
... Milton scholars , those who know their Italian , might well be that in this poem he made a very free adaptation of the canzone . This was a stanza of indeterminate length , running it might be to twenty lines or so , marked by some ...
... Milton scholars , those who know their Italian , might well be that in this poem he made a very free adaptation of the canzone . This was a stanza of indeterminate length , running it might be to twenty lines or so , marked by some ...
Стр. 340
... Milton has in the lines of the Paradise Lost , where the great departure from the epical sub- stance of the Virgil makes it needful to depart from the poetic tone . But Milton proves here that he had fairly mastered it . He had simply ...
... Milton has in the lines of the Paradise Lost , where the great departure from the epical sub- stance of the Virgil makes it needful to depart from the poetic tone . But Milton proves here that he had fairly mastered it . He had simply ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing