Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 80
... believe . Their so - called tragedies do not and cannot end with one of those splen- did calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love ...
... believe . Their so - called tragedies do not and cannot end with one of those splen- did calamities which in Shakespeare seem to reverberate through the universe , because they cannot believe that the universe trembles when their love ...
Стр. 81
... believe in Ham- let , and a light has gone out in the universe . Shakespeare justifies the ways of God to man , but in Ibsen there is no such happy end and with him tragedy , so called , has become merely an expression of our despair at ...
... believe in Ham- let , and a light has gone out in the universe . Shakespeare justifies the ways of God to man , but in Ibsen there is no such happy end and with him tragedy , so called , has become merely an expression of our despair at ...
Стр. 452
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
... believe what they do not understand ; fourthly , they will believe any thing at all , provided they are under no obligation to believe it ; fifthly , they love to take a new road , even when that road leads no where ; sixthly , he was ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration ancient appear Aristotle artist beauty Ben Jonson called character classical comedy concrete universal conscious criticism delight divine drama effect English epic Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek hath Hegel Henry James Homer human idea imagination imitation James kind language learning less literary literature living Macbeth meaning ment metaphor metre Milton mind modern moral nature never novel objects Oedipus passion perhaps person philosophical Plato play pleasure plot poem Poesie poet poetic poetry present principle produced prose reader reason Restoration comedy rhyme romanticism scene seems sense sentiment Shakespeare sith Sophocles soul speak spirit stanza story style T. E. Hulme T. S. Eliot taste things thought tion Tiresias tragedy tragic true truth ture unity verse whole words writing