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Стр. 25
For there is in Princes and men of conspicuous power , anciently called Heroes , a lustre and influence upon the rest of men resembling that of the Heavens ; and an insincereness , inconstancy , and troublesome humor of those that dwell ...
For there is in Princes and men of conspicuous power , anciently called Heroes , a lustre and influence upon the rest of men resembling that of the Heavens ; and an insincereness , inconstancy , and troublesome humor of those that dwell ...
Стр. 166
The first sentence contains six vivid images , and only one phrase ( " time and chance " ) that could be called vague . The second contains not a single fresh , arresting phrase , and in spite of its ninety syllables it gives only a ...
The first sentence contains six vivid images , and only one phrase ( " time and chance " ) that could be called vague . The second contains not a single fresh , arresting phrase , and in spite of its ninety syllables it gives only a ...
Стр. 216
So in the verse , - " alone she hath no part oin , “ alone , " is metaphorical ; for the best known may be called the only one . 11. Again , the solution may depend upon accent or breathing . Thus Hippias of Thasos solved the ...
So in the verse , - " alone she hath no part oin , “ alone , " is metaphorical ; for the best known may be called the only one . 11. Again , the solution may depend upon accent or breathing . Thus Hippias of Thasos solved the ...
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Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
Авторские права | |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism; the Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1958 |
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action admiration appears artist beauty become beginning believe better called cause character common consider course criticism delight drama effect elements English example excellent existence experience expression eyes fact feeling follow force give given hand human idea imagination imitation important individual interest kind knowledge language learning least less light literature living look manner matter meaning merely method mind moral nature never novel objects observed once particular passion perhaps person play pleasure plot poem poet poetic poetry possible present principle produced question reader reason relation represent scene seems sense speak spirit story style tell things thought tion tragedy true truth turn understand universal verse whole writing