Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 353
... character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just- ness we can appreciate by comparison with the original portrait . In Thomas ...
... character first , so that we know what to expect , and the resulting actions and reactions of the character provide a filling - in and elaboration whose just- ness we can appreciate by comparison with the original portrait . In Thomas ...
Стр. 356
... character to express completely and effectively his states of mind with reference to the given circumstances . No , if the characters are not to be either incredibly frank and self - conscious letter - writers or continuously ...
... character to express completely and effectively his states of mind with reference to the given circumstances . No , if the characters are not to be either incredibly frank and self - conscious letter - writers or continuously ...
Стр. 357
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
... character as bring out aspects of it which hither- to events had not conspired to release . This is a very different thing from the formal conversion of a villain to a reformed character . A character is not fully revealed until brought ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Другие издания - Просмотреть все
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing