Criticism; the Foundations of Modern Literary JudgmentMark Schorer Harcourt, Brace, 1958 - Всего страниц: 553 |
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Стр. 112
... conscious mind of the poet has worked over the poem , and given it that smooth façade which is generally demanded by the liter- ary conventions of an age , and which in any case makes for ease of communication . It is not every poem ...
... conscious mind of the poet has worked over the poem , and given it that smooth façade which is generally demanded by the liter- ary conventions of an age , and which in any case makes for ease of communication . It is not every poem ...
Стр. 322
... conscious form . Art is the looking - glass of the pre - conscious , and when it is deepest seems to participate in it sensibly . Or , better , for purposes of criticism , our sensibility resumes the division of the senses and faculties ...
... conscious form . Art is the looking - glass of the pre - conscious , and when it is deepest seems to participate in it sensibly . Or , better , for purposes of criticism , our sensibility resumes the division of the senses and faculties ...
Стр. 342
... conscious of a man behind the artist . But the critic will always find too many and too perfect beauties in it ever to deal with it very harshly . T HE CHIEF point of the poem is to contrast and reconcile conscious and unconscious ...
... conscious of a man behind the artist . But the critic will always find too many and too perfect beauties in it ever to deal with it very harshly . T HE CHIEF point of the poem is to contrast and reconcile conscious and unconscious ...
Содержание
PLATO The Poet in the Republic | 1 |
LONGINUS On the Sublime | 10 |
THOMAS HOBBES Answer to Sir William Davenants | 25 |
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Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
Criticism: The Foundations of Modern Literary Judgment Mark Schorer,Josephine Miles,Gordon McKenzie Просмотр фрагмента - 1948 |
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action admiration aesthetic ancient appear Aristotle artist attitude beauty believe Ben Jonson blank verse called character classical comedy conscious criticism delight divine drama effect emotion English Epic poetry essay Euripides example experience expression fact feeling fiction Freud give Greek Hegel Henry James Homer human I. A. Richards idea imagination imitation interest James kind language less literary literature living Lycidas matter means ment merely metaphor metre Milton mind modern moral nature never novel object Oedipus passion perhaps persons philosophical Plato play pleasure plot poem Poesie poet poet's poetic poetry present prose reader reason Restoration comedy rhyme romanticism Sacred Fount scene seems sense Shakespeare Sophocles soul speak spirit stanza story style sublime T. S. Eliot theory things thought tion Tiresias tragedy tragic true truth verse whole words writing